Sidney: How would I clean when a porn set gets dirty? What should I use to build stilts that are sturdy? Where could I breed a new species of

Adele: birdie?

Sidney: Ah, ah, ah, ah! Explain like I'm 30. Hello, everyone. And welcome to explain like I'm 30. I'm your host, Sidney Razkine, AKA Sidney Raz all over the internet. I've probably told you something that you wish you knew before you were in your thirties.

I know I say that every day, but today on the podcast, we have Adele Udo. The amazing parts model and model. You've probably seen her work all over the internet. And I have a big announcement for you. Everyone after recording this podcast, we just finished and wrapped up. I'm no longer going to be creating videos.

That's right. I don't need to make videos anymore. I am now going to be a hair model, a hand model, and probably just go into that more so. Um, We have Adele to thank for that. And I thank you Adele for showcasing the fact that I am beautiful, handsome, and my mother was right. She even critiques some of my own hand modeling.

I, sorry, I showed, I took some pictures and I showed a professional hand model how I did. So here we go. Adele Udo, hand model, parts model extraordinaire. Enjoy.

Adele Udo is with us. Everybody. Parts model extraordinaire Adele. Give us a little bit of background about yourself. Who are you? What is this whole parts modeling thing?

Adele: Uh, parts modeling. Um, it's body, it's short for body parts modeling. Right, right, right. Primarily I do hands, but I also do lips and legs and feet and, um, and other parts.

Sidney: That's incredible. You also do neck. You also do hair question

Adele: mark. I do. I've done hair a little bit. There's not a lot of hair jobs. Um, far more hand jobs. Um, sorry.

Sidney: That's like one of the best things. So I was watching a little bit of some interviews that you've had in the past and that is. Hilarious that you just have to say that.

Uh, you, you have to, yeah. It's just not, it's just, it's not even sexual or anything. It's just like, yeah, I'm going on a hand job. Going on a hand job. Yeah.

Adele: it. So it's like, agents say it, it's just, you know. What else do you say? A hand modeling job? I mean, you, you can say that and you do say that. Do you?

Sidney: It, um, it emails.

You just get hjs, , um, NJS, uh, ljs, uh, fjs, all that kind of stuff.

Adele: Like, is that just like mjs? I don't think I've ever gotten a nose job. Nose job.

Sidney: I was actually going with, oh, KJ, actually, neck job. I was spelling neck incorrectly.

Adele: Right, right. Um, no, neck is N, isn't it? Is it

Sidney: N? Yeah, neck is N. Yeah, I know how to spell.

That's fine. That's fine. I'm not a speller. I'm a content creator. It's fine.

Adele: Um, yes, I have had that neck job. Lots of jewelry. Uh, yes, you know, the decollete and the, I mean, it's

Sidney: incredible. It's, it's like, it's a very, uh, interesting world. And I'm very excited to have you on the podcast because this whole thing is basically just.

I don't really know a lot about these like incredible jobs that I don't think people talk about enough and I was watching your reel and the amount of stuff that you've been in is incredible number one and like the realization like, Oh, that is a person with a hand that needs to model this. McNugget being dipped in sauce, right,

Adele: right.

That makes sense. You know, you think that it's the principal model or, you know, the celebrity or whatever, but oftentimes it's, yeah, it wasn't,

Sidney: it was, it was Emily Blunt was doing perfume or so yeah. He said around like. Yeah, something and she was walking through and all of a sudden it was your hand playing Emily Blunt's hand and then cut back to Emily Blunt or it was, um, another, I was another actress, George Clooney with Nespresso.

Yes. Who was it? Who was it? I can't

Adele: remember. I, I didn't even know that that George was on set, you know, George. Yeah, George. Yeah. Yeah. Easy peasy. Mr. Clooney. Yeah, I didn't, I, I didn't even know he was on set. I didn't even know, you know, I just was showing up with an espresso job. Did the little insert shot, you know, pouring my espresso or whatever I did.

Sidney: Pressing buttons. It was, it's a, it was a very beautiful like drop. Uh, and then press the button and then it possibly would have been like a, like a, uh, uh, push the panel down

Adele: or something. Yeah. I should really know how to work those machines by now because I've of these, but anyway, I found out later when I saw the, the commercial, I was like, oh my gosh, George Clooney was part of that spot.

Like, didn't even know that.

Sidney: It's an amazing thing because like, I've heard of doubling a lot in like, uh, sex scenes. With in different big movie sets or anything, but I've never thought about doubling and like just these like ad ad spots that are just like Everywhere, you know, it's like, Oh, yeah, that's definitely Emily Blunt's hand.

Why wouldn't it be Emily Blunt's hand in that commercial? But she doesn't have the right hand for this. I'm sorry, Emily Blunt, it's

Adele: just not working well. Let me, let me defend Emily Blunt's hands for a minute because I mean, they're beautiful, I'm assuming, and I'm sure they are like a lot of people do think that, oh, you know, you're, you're hiring a hand model just because she has superior hands or whatever.

That's not necessarily true. A lot of times these celebrities. Are so big and whatever they just don't want it They'd rather hang out in their trailer than show up for the insert shot essentially You can get you know, you can get someone to lend a hand so to speak very easily, you know Just just hire a hand.

Hang on. We should

Sidney: start a hand pun counter. All right. Well, let me get Yeah, let me get i'm gonna get a marker for the producer, uh, my wonderful producer shanti and you have been going back and forth on hand model puns and hand puns So we already have hand job Which is not sexual. Everyone. Not at all.

And we have, uh, lend a hand. I think was one. And I think there was a third one. No, I think that was the two that we've done so far. Okay. So those are those are those are hands down. That's three. We already have three and we are Uh, four minutes and I

Adele: think we'll come up with one a minute.

Sidney: It's

Adele: incredible.

I'll count them on my fingers as we go. There you go.

Sidney: Dammit for that counts. Um, all right. So let's get a little bit of background about you though. It after learning a little bit about you about you, you grew up in a commune in California. What does that mean and why, what was it

Adele: that went wrong? I'm still trying to figure it out.

Yeah,

Sidney: what is it, what does it mean, you know, to grow up? I'm gonna, okay, let me just guess where the commune was. There's a lot of places in California the commune could be. Mm hmm. But. Let's guess that the commune was somewhere in NorCal. Mm hmm. Was outside of San Francisco. You're right about that. That was very green.

And... Sure, sure. Yeah, maybe. Not

Adele: so much in the summer. It was very, I mean, well, let's put it this way. There was lots of secret gardens. Oh, yeah, sure, sure, sure. You know, Humboldt County. So, you know, it was green in the sense that there were a lot of... A lot of people grow in pot, uh, yeah. Oh, right. Very perfect.

If you're talking about that kind of green.

Sidney: Okay. So, so you go from living in a commune, uh, with, I'm assuming fantastic structures and systems and everything that go to college. To go to hand modeling. So can you, can you just blow that out a little bit more? Can we just, can we just figure out what it's like to grow up in a commune and then also go to hand modeling?

Adele: Yeah. Good, good question. I, yeah, the trajectory of my life. Um, very, very, uh, Unconventional. Um, I'll start, I'll go back a little. My, uh, the day before my seventh birthday, initially I grew up in New Orleans to a large kind of established old school, you know, old world Sicilian family, uh, food and restaurant business, uh, established restaurants around the city, you know, passed through generations.

And, um, the day before my seventh birthday, my mom, um, left the city, uh, with me and my little brother, um, uh, with a man named Lightning in a bus called the Mars Hotel. Oh my gosh.

Sidney: What year was this? This sounds fantastic. This

Adele: is the 70s. That's what I

Sidney: thought. I was like, this sounds like the... This sounds like something that I would see in a quick Tarantino film recently.

Yeah.

Adele: Yeah. So, um, we traveled for a year, you know, and, um, and we, uh, ended up on this Very alternative, uh, commune, hippie commune, uh, in Northern California. And, um, you know, I was raised by a very sort of feminist, um, hippie mom. And then somehow, uh, along the way, you know, uh, became an objectified body parts model, right?

Sure.

Sidney: Yeah. So you're with lightning. Yeah, your mom, your mom and your lightning you get to the commune in Outside outside of san francisco in humboldt county beautiful area to grow up. I gotta admit. Um, did you see any big foot? Uh people did you see any people? Did you see any foot? No,

Adele: I I I did. I mean, you know, there were other maybe the adults were having hallucinations Because there was a lot of lsd being dropped

Sidney: It sounds like you had a great time.

Did you ever visit the trees of mystery or was that? Was that like to basic for you trees of mystery? So the trees of mystery is a thing in Humboldt County on the one. It's like this tourist trap that is like apparently where Paul Bunyan stopped his walk. Wow.

Adele: Yeah, I, uh, well, let me just clarify. It was actually, uh, South of Humboldt.

So I didn't actually grow up in Humboldt. And oddly, I mean, I just make that joke because there was, you know, yeah, it's sort of known the pot capital of the world. Sure.

Sidney: Sure. Sure. The green triangle? I Um, where all the weed is. Yeah, exactly. Incredible. All right. So I,

Adele: I actually had my first bong hit when I was in second grade.

Oh, which

Sidney: I'm sure great

Adele: for you. I, um. Yeah, no, at first it was sort of fun. And then, um, you know, paranoia for, uh, an adolescent is, is, is not so fun, you know, and very different. I, I would get like freaked out that I had snuck a KitKat, you know, at Halloween. Um, because, you know, that was filled with sugar and toxins that were forbidden.

Oh, wow. Really? Yeah. So it was that kind of, uh, Ridiculousness. Wow. But yeah, I wasn't, I I, I always joked like, you know, I, I got that shit outta my system at, at 12. Yeah. Um, , you know. Yeah. I, I uh, so

Sidney: you didn't have to do any L S D or drugs or Right. Yeah. Smoke weed. 'cause you were just like, nah, I'm good. ,

Adele: I've been there, done that.

I'm nine, it's all good.

Sidney: Meanwhile, for me, I'm having the worst trip of my life, uh, and at 20 or 21. Um, and after being, Too many, uh, things and mushrooms and Man, that was bad, but you had already experienced it. I wish I had had your journey is really what I'm getting at.

Adele: We should just start children early.

That's the message of this entire,

Sidney: I want to go deeper into that, but I do know that we have to talk about parts modeling. So,

Adele: so you grow up, got to get out of the commune,

Sidney: grow up, grow up in the commune, you're going there, you're taking, you know, the milkiest hits from the coolest phones ever by seven.

And. And then you go and you're like, Oh, there's another world out there. You go to college, uh, was it regular high school too? Or was it commune high school?

Adele: No, it was regular high school. I did, you know, mingle within society, even though we were very, you know, Like I said, alternative. We were on this very restricted, uh, you know, uh, vegan diet.

Wow. Only allowed to eat raw fruits and vegetables for many years of my life. Some millet and potatoes. Um, we did like watermelon cleanses and yeah, just, just very alternative. So some children, you know, weren't even allowed to visit our house because it was just so, you know, uh, Unconventional. Right. Um, but yes, for the most part, I, I went, I went to a Waldorf school.

I did that until, uh, high school and then went to a regular public high school and, and, um, And then went to

Sidney: college after that. And then went to college. And then didn't work out. It didn't, it didn't work out for you. And then was it in college where you discovered your beautiful heart aesthetic?

Adele: It's not that, I mean, actually, yeah, I dropped out the last semester in college to, um, yeah.

To, um, to go to Japan and model and it wasn't hearts modeling at that point. It was, um, I had been offered a contract to just go because I was, you know, shorter than most models, um, at five, six. So I, you know, wasn't going to be a runway model. Um, and especially back then now there's, you know, women of all shapes, sizes and, and, and, uh, heights and.

Um, but then it was, it was definitely more skewed towards, you know, uh, taller women. And uh, so yeah, I went to Japan because the women are, are not as tall and um, I modeled there for a little bit and that's why I, um, I left college

Sidney: a little bit early. But then, I mean, you already had work, so it was fine. Um, yeah.

I did not leave college as, uh, smart as you did. Um, I failed out wonderfully twice. Actually, you can fail twice. Uh, you can fail out once and then they kick you out for a semester and then you can fail the second time out and kick out for five years.

Adele: Um, you should have started smoking pot at seven, but I should have.

That's the

Sidney: thing. Like I thought I was smoking enough pot in college. Um, but if I just, if I just sent it, if I had just done it earlier, maybe I would have finished college. Um, but I was pursuing a career in content creation. It didn't work out until about two years ago. And hey, look at me now.

Everything's fine.

Adele: Well, you're doing it.

Sidney: Yeah, I did. Right? Yeah. All right. Well, that you're in. You are in uh, japan. How long were you in japan for?

Adele: Um, I was five ish months

Sidney: cool, and you come back to los angeles or you come back to

Adele: Then I actually my my father passed away. Um, like this is like kind of early 20s ish.

Um, and uh, yeah, he he Yeah, he was still in new orleans, but um, he had suffered from addiction for a really long time and um So, I mean, you know, not just pot, but alcohol and all of it. And, um, so yeah, he at, uh, just before his 45th birthday passed away. So that really like was a big turning point for me because so much of my life had been trying to, uh, you know, make a difference and save him.

And he was such a bright, incredible, creative, uh, big hearted person and just in a lot of pain that really didn't really deal with it. Um, and so, yeah, so that's... Are

Sidney: you an only child too? No, I've got a little brother. Were you the only connection between your dad and your

Adele: brother? We had a very close relationship and I think my brother was more sheltered from a lot of that stuff that was going on.

Um, and I, and I tried to do that for him as well. Like I was like, I can take it and you know, sure. Yeah, just let him have a, as, as normal, you know, and, and light of a childhood as he can.

Sidney: I was the only one. So when my dad died, uh, it was a similar experience where it was just like, he just didn't, he was a, he wasn't a great guy, but it was still like, Hey, siblings, do you want to know that dad's still alive?

And they're like, I guess. Um, so when he passed away, it was like me going like, Hey, everyone. Like, So, so yeah, it's a very similar, interesting experience, uh, with that. So that, I mean, yeah, it's a complete world of people. So after that, so you've

Adele: moved back. Yeah. After that, I'm living in San Francisco. I kind of, you know, take a few years to really just sort of gather myself and just was working at the league of conservation voters and just, you know, just being, yeah.

And then, uh, I. End up moving to L. A. Got it. Um, because I don't know with some vague idea that, you know, I want to be an artist. I want to, you

Sidney: know, well, you already had some work. You already had some work behind

Adele: you, right? Right. That's true. Yeah. So it was like, I figured there would be more work, um, in yeah.

So that's, um,

Sidney: that's where I went. I mean, that, it sounds like the right move, basically similar to me. I was like, I don't know, YouTube videos, people are moving to Los Angeles to make YouTube videos. Great. Um, okay. That's basically exactly what I did too. It was just like, I don't know. I guess I'll just go do that.

Um, all right. So, so then after a couple of years in Los Angeles, you. I saw, um, in another interview you had, which was just like, basically like your grandmother told you, you had beautiful hands all the time. And was that just something in the back of your head? Was it was it from New Orleans or was it like yeah,

Adele: mommy mommy.

Yeah

Yeah, mommy am I my mother's mother who I just adored Of course, it was a big Italian fabulous woman who was just the best cook on the planet. Yes yeah, the best hugger and just Amazing. Yeah. Anyway, she, um, since I was a little girl had mentioned, you know, my hands and, and even had said a couple of times, Oh, you should be a hand model.

Did not think of that. I mean, whatever. What is a hand model? You know, it just, um, but I guess stored it somewhere because when my agent called one day and said, Oh, do you have nice hands? And, you know, O. P. I. Is having a, uh, casting O. P. I. Nail polish. And, um, I thought, well, let me think. So, uh, let's check this out.

So I went and, um, I like sort of immediately remembered this different reaction, like, you know, people were looking at my hands intently and like flipping them over and making little, you know, sort of glances and knowing nods to each other and, uh, passing them around to people and, um, yeah, and, and I, um, took a couple of pictures and booked a big campaign that day and, Drove home and called mommy and mommy

Sidney: said, guess what?

Exactly. Well, that's incredible. Getting that job right away. I mean, that's like, that's gotta be validating in a way that like most people can't describe. I mean, that's huge.

Adele: It was exciting 'cause it was like, okay, this is a big, yeah, this is a bigger campaign. This is, this is paying more than I'm, you know, used to, and maybe there's something here, you know, maybe mommy was onto something.

Yeah. Mommy

Sidney: knows. Best . Thank god for mommy. Um, was there is, this is gonna be very like inside industry talk, um, but is there a sag? Are you in SAG as a hand model?

Adele: Yes. Yes. So for commercial. Oh yeah. It's pictures for commercials. You are exactly. I'm not, not so much. Well, not at all for print, but yes, for commercials in L.

A. Is more of a commercial town. Yeah, they shoot a lot of commercials there. Um, but New York. Where, um, I went a little later in my career and even live by coastally for a while before the pandemic. Um, that's like where all the fashion and beauty happen. It's, it's a little more glamorous, I would say in New York.

It's a little more, you know, like. You're shooting, you know, El Pollo Loco and Taco Bell in LA, shooting Dior and Christian Louboutin, you know, in New York.

Sidney: And it's more static imagery in New York or is it also video? I would

Adele: say more, yeah, I'd say I like a lot of the print and editorial and just, you know, all the best photographers in the world are in New York.

Sidney: All the ad, all the ad people are making the ad, like coming up with the ads in New York and then telling everyone to shoot in Los Angeles. True.

Adele: That's

Sidney: creative in New York. Yeah, exactly. And then we all come here and we're like, I don't know. I got a camera. Is that cool? Um,

Adele: I

Sidney: know. And then there's, there are people like me who are like Los Angeles beach.

No, thank you. I'm good. Um, yeah. The great divide of the East side and the West side of Los Angeles. Um, all right. So you get, so, so that first big job you get and that kind of like sets you up for success for the next half year, year, and then you kind of like keep on going out for work, you get your SAG card, you got health insurance.

That's pretty cool. Um, and you're what, like, 25, 26, 27?

Adele: No, I'm in my 30s at that point. Oh, okay. Yeah, actually, I'm in my 30s. My dad died at 25. So, um, yeah, I moved to L. A. at 30, actually. Oh, wow, okay. Yeah, so, um, yeah, so, and, and, and honestly, my career really didn't really take off, um, interestingly enough, uh, until my 40s.

Wow. There you go. To LA. I'm sorry. New York, New York. Um, yeah. New York was like, really, you know, like I was just, you know, working constantly and um, yeah. So you know, it's never too late people. Yeah. Oh, that's it. Even in the world of beauty and modeling.

Sidney: Well, you have a beautiful, you have a beautiful, um, this entire podcast you've been.

Sort of for anyone watching the video you've been like moving your hands in a very like beautiful way And i'm just like, oh my gosh, like that's incredible. Wow. How is she just like aware of what do you mean? Yeah, exactly. I don't even it's like it's like that. It's like the I saw a picture of you I think your hand on hugh jackman's face and it was like such a beautiful like placement And like then I saw another picture.

I've seen a few different pictures, but it was just like the Like the one where you're like underneath another person's arm and it's just like, oh yeah, there's like all these like just hands everywhere on people's faces.

Adele: He was very nice by the way. I'm sure.

Sidney: Cool guy. He seems like a very nice human.

Adele: It's funny because, yeah, people have asked me like, what's it like working with, you know, so many celebrities and whatever and are they, you know. My experience has been that they're really like very lovely people. Yeah, you know, I I haven't had a bad Experience.

Sidney: Well, especially when you have to sort of like yeah Knock on laminate Yeah, but I think especially when you have to sort of like get into that Personal space of like reentered, like interacting with someone's face or interacting with someone's like neck or

Adele: maybe they're just being nice.

Cause they don't want me to slap them. There's

Sidney: that, but then there's also like a tension release, right? It's like, uh, there's like a, there's no barrier of entry because you could just like be yourself basically. And you can kind of do that. And I think Hugh Jackman, I mean, does seem like one of the nicest human beings on the planet.

So, and I, it seems like also the, uh, talent and celebrity that you work with. Are very aware of like themselves in that space. And I think that, um, it's important to, uh, continue to be nice to everyone. I mean, especially on set.

Adele: Honestly, I think it's part of why some people are successful. Like they're just kind people, you know, they're not like online all day, you know, insulting people, you know, they're, they're, yeah, they're, they're, they're openhearted, kind people.

It goes a long way. That's

Sidney: true. I mean, well, I guess I think that maybe. goes into some of the other stuff that I want to talk to you about because like I feel like you don't have the most Normal days in the world and it's like you get a lot of jobs you go to set Is it like a 6 a. m. Call time 4 a. m.

Call time? Are you getting prepped? Are you doing

Adele: so depends on the job? But yeah, I mean oftentimes at 6 a. m You know Uh, once in a while you get a fabulous job, it's like, Oh, you know, 2 p. m. call time and we're wrapping by four because, you know, I, I am often there just for like a quick little insert shot.

So, you know, if production really plans it right then. I'm there for a little bit, but oftentimes I'm just there, you know, like hanging out on my phone for hours,

Sidney: one hour. Do you get your own, do you get your own trailer or is it like a hyperbolic hand trailer? Like in Zoolander, like that classic Zoolander

Adele: hand model.

Haven't had that yet. Um. Uh, no, I, I, I don't get my own trailer. I, uh, that's a shame. Give

Sidney: this woman a trailer. Give this woman

Adele: a trailer. I'm not a hand, a high maintenance hand model. Really?

Sidney: But those chairs, I mean, those chairs get uncomfortable after a while. I mean, you're just like hanging out. You're like, what do I do?

Adele: That's true. I mean, oftentimes it's like a big set or there's big outdoor lot or whatever, and I'll go out and make phone calls or, you know, just. Yeah,

Sidney: I've been on set, uh, for too many hours and I think I was, they cut my scene by the way, which I'm not upset about, it's fine. Um, but I was in the trailer for so long and I was just like, I don't know what to do.

Like I'm just here for like six hours and then they need me for like 20 minutes.

Adele: Waste of time here somehow, but yeah,

Sidney: I mean, that's, um, it's interesting too, but, but like as a parts model, is there like a specific, uh, part that is better to be photographed? Like, is it, do you get more work from your hands?

You get more work from, you know, feet, neck. Like what, what is it

Adele: hand models of the most requested? I mean, like the, you know, there's far more hand jobs. Yeah. Then there are, you know, say I jobs, nose job, you know, whatever lip job. That just doesn't that that's yes, they come, you know, but they're not, they're not, um, as frequent and requested.

So, well, because I

Sidney: guess I guess hands are the ones that are doing the most work. Exactly right. So

Adele: that makes sense that it would we're using our hands a lot more than our Yeah. Yeah. Yeah.

Sidney: Eyelashes, right? Right, right. Even though you also have beautiful eyelashes. Um, so, uh,

Adele: you, it's that it's that hair thing.

Thank you. I've got that good hair. You got it generally.

Sidney: I am so proud of my hair. It's just like one of those things that everyone should be. What is your routine? I was like, honestly, I don't have one. And I think it's because I never grew it out until my thirties. So I never really had like Obscene amounts of product in my hair.

So now my hair sort of like lives the

Adele: way it is. Yeah, exactly. You could be a hair, a hair model.

Sidney: Well, Hey, listen, we'll, we'll get an email address after this. You'd let me know I've got connections. I'll, I'll let you know. Um, I would love more work. Why not? Um, I am already sag. Thanks everyone. Uh, so, so yeah, I mean, I am very proud of it, but, but it's one of those things that.

With hand modeling that you constantly have to like, upkeep your hands. Right. So like in, again, in another interview I was seeing that you kind of don't really have a routine. Just like I don't really have a routine with my hair. It's just like moisturize. That's it.

Adele: I'm kind of an obsessive moisturizer.

Yes. Uhhuh, , Uhhuh, . Um, that, that to me, and, and I think it's an inside outside job, like I definitely, I, I eat pretty healthy as well, right? Like, you know, uh, I, I think, yeah, I can tell, you know, when I'm, Uh, not so much eating, I just feel a little drier or, you know, not quite, it has an effect on your skin. So, but yeah, no, I, I carry around lotion, uh, you know, what do

Sidney: you, sorry, what do you mean by eat drier?

Do you mean like the crackers that I love eating are making my

Adele: hands? Well, I mean, if I'm not eat, let's say I'm on vacation and, you know, partying more or something like that. I just. I noticed that and I'm not hydrating as much reading as many fresh fruits and vegetables and it's clean, so to speak, it, it, I feel it in my skin, you know, and so, um, yeah, I, I think that it does reflect, you know, um, what we, you know, What we eat it that there's sort of a glow that happens.

I think when you what is cleaner.

Sidney: This is a fantastic insight to your profession. What is the most like hydrating food that you would?

Adele: Uh, I would recommend good old fruits and vegetables figure. I mean, it's

Sidney: disgusting. Absolutely not. Give me a cookie.

Adele: I mean, no, but there's so many, so many, as we know, dogmatic, crazy diets and theories out there right now.

And, you know, I have, I personally have like ping ponged around the polarities of all of that, even since childhood, you know, since the commune days, um, And, uh, I got really into high protein, high fat for a while. And, um, you know, yeah, I've been all over the place, but around the block when it comes to like the diet wars, but, um, I'm currently just.

Reincorporating fruits and vegetables like it's really simple folks like it's just, you know, we don't necessarily need all the supplements and the powders and the theories and the, you know, the tests and the it's too much and it's too complicated. And I'm, you know, really, uh. Yeah, love and just like, I actually developed for a little while there, um, a fear of fruit like I was, wow, really?

Yeah. Cause I, well, you know,

Sidney: I'm sure there's other things about calming life that play into that. Exactly.

Adele: I think it was inspired by, you know, maybe those early paranoid episodes, but I had been told and you, you, If you tune into all those wellness podcasts, whatever else, um, a lot of it is, you know, the sugar, the sugar, Oh, be afraid of the sugar.

And, and, you know, just a few blueberries here and there, maybe a green apple. That's all you're allowed. Um, so I stopped kind of eating fruit and, um, Yeah, because, you know, sugar feeds cancer and isn't that, but, you know, all sugars are not created equal. You need sugar. Your brain needs glucose. You need the fiber and in hydrating fruit.

So to answer your question in a very long roundabout way, I say fruits are the most hydrating. We need all those, you know, antioxidants and astringent and vitamins and minerals and hydration. And, um, yeah. So I'm like rediscovering fruit and loving it. Are you just

Sidney: drinking water all the time too? Um,

Adele: not all the time.

Sidney: Yeah. Yeah. Hey, I have some to water

Adele: break. Yeah. One. I remember. Thank you.

Sidney: Um, you're very welcome. My wife is a big water fan. Um, when I was first making content, I would say hydration equals happiness. And, um, I followed that throughout my life. Uh, so, so, but not like celery or anything.

Adele: Um, you know, I, uh, I have or like

Sidney: iceberg lettuce, iceberg lettuce or something like that has a lot of water in it.

Adele: Yeah. Um, gosh, my mother's current boyfriend. Yeah, he's all about iceberg lettuce. Um, she tends to bring in these men that are very opinionated when it comes to food and the latest and sure. Yeah. So, um, so he's, yeah, he's, he's got a thing about iceberg lettuce and I think it's the Boiron or something in the iceberg lettuce that we don't get from other, you know, lettuces and vegetables.

So, um,

Sidney: yeah, there was a big celery craze back in the day. Did she also have a boyfriend that loved the celery

Adele: cleanses? Uh, we were doing a lot of cleanses. Um, like I said, I, we did a watermelon cleanse, um, for, I think it was about a week at one point and one side of the house was lined and stacked with watermelons.

Literally a, a dump truck of watermelons was delivered to our house. Because it was, you know, more than just a single family, it was a small community. And, uh, you know, we had to feed a lot of, uh, of people, uh, watermelons. And

Sidney: so, so, so before, before we go to the break, I do want to ask, is there like a, Is there a life hack that you would you would use in your day to day life that you've discovered because of your profession that like would would make my life easier and everyone listening like is it like lotion every day is great use SPF lotion that's helpful or is it like um is it like make sure when you're cutting your nails to actually trim them in a certain way or something I mean you have beautiful nails so I'm assuming you have like Manicures all the time, but I'm wondering, is there a part or is there like a, a body, like a body parts, like, like, I don't know how that

Adele: works.

You know, I might have to think about that a little bit, but the funny thing is I don't, I don't really like pamper. I'm not very precious with my parts. I don't pamper them a heck of a lot. I actually have like natural nails. Like, I don't even polish them much. Um, I actually have this weird theory that I think that it's nice to let them breathe a little bit.

Um, and also because. They are getting polished and then in the acetone and the, you know, sometimes I've done jobs where, you know, I felt like 12 Nail polish changes in a day, you know, so I like to just let my nails breathe at times. And, um, and I kind of just like that natural look for the most part. But, um, so I would say, and, and, and if you want to, okay, so a tip for growing long nails.

Oh yeah, there you go. Um, uh, I would say, um, when you moisturize, do not have polish, you know, like if you really are in a, in a state of it, because. Dry nails become brittle. They break you right want to pick a moisturizer. That's really, you know, rich and nutrients, you know, not not heavy in toxic chemicals and That way it'll absorb into your nail bed and it will become like more supple and flexible and and stronger

Sidney: You're telling me you're that you're supposed to moisturize your nails too

Adele: Yeah.

What? Yes. I mean, yeah. Wait, hang on. This, this part right here? Yes. No, but when you do this, Sidney, you're, you're, you're like, Oh my God. I

Sidney: thought, I thought it was just like the. This part, moisturizing my nails too.

Adele: No, I think you should always, I, wow, I, I wonder if a lot of people have never moisturized their nails.

No, I, I always make sure that like, you know, you bring it through your nails because you want those, I mean, your nails have pores, your nails are, are, you know, porous. You know, those nutrients will also get absorbed by not only your skin, but your nails. And, and, um, if they're dry, like I said, they, they get brittle, they break, they, um, yeah.

Sidney: So moisturize. So you're saying beside the fact that besides the fact that I'm supposed to. Pay attention to moisturize my nails to moisturizing without nail polish on is better because there's no there. There's no

Adele: seal. Right? Right. Exactly. The porousness you'll it'll absorb the, the, uh, the oils and the, and the, you know, the nutrition, the nutrition.

Sidney: Oh my God. Well, that's skin nutrition. That's incredible. Um, is there, is there like a, a tip that you would give, um, some, something you wish you knew, like sort of before you started parts modeling, maybe the best.

Adele: I mean, that helps for sure. Like if you are going to, um, I mean, I think some people are really, are misinformed and under the impression that like, you know, parts models are, are, are making tons of money and it's just a full time job for so many people.

That's. It's actually pretty rare, um, there's really only, there's really only a handful, um, I'm sorry. Okay. Number three. Actually, that's number six. Is it? Okay. You're a better counter than me.

Sidney: I got a hand on the situation. Seven.

Adele: I certainly do. I have to give you a hand. There you go. Eight.

Oh my gosh. Um, Thank you. Thank you. Yeah, so a good agent, uh, is makes a big difference. And, um, I would say most of the work, uh. Is in New York, you know, uh, most if, if you really are, you know, that's your big dream is to become a parts model. I would say move there because they're not going to hire anyone that's not local.

Your pictures don't need to be professional at first, you know, just take some and like flattering lighting with like a relaxed hand pose, you know, sometimes people are like, does this look good? You know, it's, it's, um, claws do not, their tension in hands don't usually look good. Like keep them kind of.

More relaxed and hold a, you know, a coffee cup just in a relaxed way or Yeah, just flower, because

Sidney: this is kind of clawy, but like, well,

Adele: no, that's pretty good actually. And you have nice

Sidney: skin like that. Oh, thank you. Uh, people have always told me, I have very nice hands. Actually it was one of those SIGs where, there you go.

I would shake someone, hand someone's hands like, wow, your hands are so soft. I was like, thank you. I do nothing. Um, I have this, actually this crazy divot in my hand that I don't know if I can show you, but, Oh, I can see that. Wow. Yeah. It's like this, like just something that appeared one day and I was like, am I Jesus?

Um, well, okay. So I

guess after this podcast, we're going to be doing. A parts. So I'm going to be the new Jesus parts model. Um, great, fantastic. Um, I, well, I, I, I have a few more questions that we could get into, but I think we can, we could, we could take a quick break and then we'll be back with the game because I think that is actually perfect because there's some.

Things I want to ask you and show you that, um, might be perfect. Might be perfect for you to answer. So one just, we'll be right back, everyone. Hey everybody. Thank you so much for learning with me. That's right. I didn't know I was supposed to moisturize my nails. And if you did, thanks for not telling me, please rate and review this podcast.

Spread the love, share with everyone, leave a rating and review. Be honest. What do you think? How's the interview going? That is the best way to let me know. How the show is and how to keep it growing. So thank you so much. Don't forget Patreon. We have it, please. I would love to see you over there. Come hang out with me on discord, get early access to the episodes and so, so, so much more.

It's a lot of fun. Become a rascal. I'll see y'all on Patreon. Hey, everyone. Welcome back. We are here with Adele, the parts model, the wonderful human being that is telling me so many times that I have wonderful hair. Thank you for that. Um, true. We are going to play a little bit of the game, uh, as you may or may not have guests.

I actually attempted to hand model and I want to see how I did. And so we're going to go through these pictures. We're going to see what you think. Tell me how they are, if they're good, bad, uh, not bad, actually. And maybe I should go into it. So here we go. What do you think? Are you up for that game? I am up for it.

Yes. First image right here. We got me holding a Sharpie. On a notebook, saying hi, because I didn't know what else to write. Um, I didn't want to say, What's up, world? Hello, world! Or whatever all the, all the, all the people say. But, so I am holding a Sharpie, And, man, my hand looks... Not great. If I'm looking at it right now.

Adele: Ha, ha, ha, ha, ha, ha, ha! You know, I'm gonna disagree with you. Oh, really? I, your, your skin tone looks really lovely. Thank you. Um, you look well moisturized. You probably aren't. Yeah. Like now I know you. Yeah. So that's impressive. I mean, clearly you have, you know, Good skin tone, and you apparently eat a lot of crackers, so there's something you're doing right, Sid.

I do. What is it? I

Sidney: love dry food. What can I say?

Adele: That's the key then. Forget everything I

Sidney: said. But, but so I guess, I guess my question is, you know, this is the way I hold a pencil or a pen or whatever. And it's like the thumb is down, like it, it looks, it doesn't look relaxed. You said relax your hand and that's,

Adele: I will agree that the thumb is in a kind of a strange placement.

You look like you don't have a thumb. It's just sort of, yeah, exactly. So, you know, you want to show a little bit more of the thumbnail. Um, on the bottom and, um, maybe the top finger could be a little more elongated and, and, you know, gently, uh, kind of resting on the, on, on the pen. Um, and, and it'll elongate your finger as well when you don't, you know, curl it as much, that gives it a kind of a more elegant look on

Sidney: the fingers.

So are you, are you constantly holding things in a completely unnatural way?

Adele: Uh, not constantly. But yes, that does happen sometimes. Yeah, I probably would hold a pen a little differently than if I'm just, you know, in a rush, you know, copying something down to post it. Um, right. But, uh, but generally speaking, that the The thing I frequently, uh, keep in mind is just keeping the hand relaxed, keeping the fingers relaxed and that that translates to, uh, the image.

So, um, yeah, your hand, we just repositioned it slightly and these are slight subtle movements, but make a big difference. Um, yeah, just a little more relaxed, a little more elongated and, uh. And, and there you go.

Sidney: A friend of mine. Well, thank you. I appreciate that. Um, my friend of mine told me that I have very pillowy hands and I feel like it comes out in this image.

Yes, I would agree. It's very sort of like, like nice and just like soft pillowy. He goes, why are your hands so soft? I was like, oh God, I didn't realize I'm sorry. Um, all right. So not a terrible sharpie.

Adele: They're, they're, uh, they're friendly hands. They're comfortable hands. They're not like, you know, yeah.

Lumberjack hands or, you know, like, uh, yeah, I'm

Sidney: so sorry. I didn't realize that this podcast would be just an audition for me. Um, all right, let's go to the next picture. Okay, it's me again holding a phone. Now. Can I give myself a note based on the notes you gave me last time, which is I'm not showing enough

Adele: nail.

Yeah, you're not showing enough nail and your hand is positioned a little bit bizarre because we're seeing too much forearm in that shot. You should be more vertical to the camera. And, um, and if you see like, could you, so yeah, so you should be like more like, you know, that instead of like, you're, you're more like this, you know, you got to bring your hand up.

That's more if I'm holding an eye.

Sidney: If you're holding your phone, oh, there you go.

Adele: There's my cat and dog. Oh, my gosh. That's beautiful. Sophie and Birdie. So, yeah, it general. I mean, you know, done a few things for I've held a lot of technology in my day, including, you know, some Apple products. But yeah, they this is sort of like the general.

Sidney: That makes sense. So it's basically just more like, OK, so I can't see your fingers. Oh, sorry. Pinkies.

Adele: Yeah. But now you're covering the screen. So, OK. Yeah. Like putting your hands. Yeah, that's what's a little bit awkward. You don't want to cover this. Yeah, that's better. So it's like, and lovely fingers. Oh, thank you.

And stand down. I'm fine. Thank you. What's going for you? Really? There's, there's something there. Thank you.

Sidney: Oh, man. I'm blushing. All right. So, this picture, me holding the phone, again, it's sort of just a weird angle showing off Not showing enough nail. Yeah, the angle is definitely off. I'm actually missing a finger.

Adele: We're seeing a lot of, your forearm is way too in the um, foreground. So the focus is on your forearm rather than the actual, you know, image.

I mean, if we prompt that, that would, that would, you know, make a big difference, but. All right,

Sidney: so let's, let's go to the next one. Okay, much better. Okay. So, okay. I kind of after a couple of photos, uh, by the way, I'm the photographer. So I don't know if you got that. Um, but after a few photos, I was like, you know what, maybe I'm like, maybe I should like hold this mango differently.

And it was, it was more like showcase my Actual fingers, right? Showcase where the heck, like I'm missing a thumb right now. So I figure I need to show that more, but yeah. What do you think holding a mango? You can see my three fingers and it's a red mango. It was delicious.

Adele: That's a big improvement. Uh, I think that, um, yes, you could show a little bit of thumb.

Uh, cause oftentimes, yeah, that comes up. Like we want to know you have a thumb. Um, I would probably remove the watch because it appears a little bit tight on your wrist and that'll just again give it more of a relaxed look or loosen it or something.

Sidney: You say that and then I literally am adjusting my watch now.

Thank you.

Adele: So, uh, and You know, the art direction of the actual shot, maybe, you know, could have been a little improved. I don't know what that is, maybe an olive oil bottle, if you're gonna include the olive oil bottle, maybe have the label facing the camera or something, I don't know.

Sidney: So in the background you see my salt container, a whale.

Uh, spoon holder, the, uh, loamy compost bin and my wife's breast pump back actually, which is very awkward. I'm

Adele: very sorry. I would not have known, um, all of those things. So maybe, yeah, either make that a little more obvious or, you know, kind of purposefully put it out of focus. So it isn't like, what are those things?

Right, right. It's more just, yeah, shapes and. But in terms of hand, not bad. Really, not bad at all. And it looks like a nice little balancing act there. Right? Like, yeah. Wow, I'm so proud of this. And it's relaxed. It's relaxed. What I keep saying, like, you really want it to look relaxed. Not like I'm, you know, I'm squeezing this mango or.

Sidney: I mean, that's fantastic because I was not relaxed when I took these pictures. Uh, so perfect. I'm very happy that my relaxation acting skills came through in my hand. Um, all right, well, let's do the next one. Holding a watch, baby. Okay. So this one, uh, I really tried. And I hope, I hope that it

Adele: works, you know, um, I don't mind this shot again, the background, the art direction, you know,

Sidney: so if anyone's wondering.

That's my unmade bed is the background.

Adele: You can pull the comforter over at the end of it next time. Sure, sure. Um, but, um, I'm liking the fan fingers. Um, again, I think that this shot could be particularly improved if, if we cropped a little bit closer to your fingers and cut out some of the palm. And I think the thumb could be just a little more relaxed.

Like you look like you're, you know, it's, it's got some tension in there. So if you brought it a little closer to your fingers. That's a good shot.

Sidney: Yeah. Yeah, it was are my are my two middle fingers too wide. Yeah,

Adele: you could maybe um, exactly Split the difference and make it a little more more even there's um, I agree.

Sidney: Alright, so not a bad image maybe shorten the fingers Gap a little bit, relax the thumb and hey, we got, we got a watch picture.

Adele: Yeah. And exactly. And watch your forearm. It tends to kind of go closer to camera. You want to keep things in the same plane for the most part.

Sidney: Oh, that's what you're saying. Yeah.

So it's like, so if you're holding something, you're just sort of like making sure that it's in the same.

Adele: Plane. Yeah. Plane. Yeah. As right. You don't want your elbow closer than your palm.

Sidney: Like I'm, I'm like bending kind of.

Adele: Exactly. Yeah. Your elbows close to the camera.

Sidney: So got it. Wow. That's so smart. So great.

Thank you. Uh, all right. Last and not least picture of Me and my wife holding hands. Um, that's just so cute. I thought I wanted, so knowing, thank you. Um, she's adorable. She actually wrote for nails magazine. So she's big into nail polish. Um, I'm excited to

Adele: tell her I've worked on them several times. Oh,

Sidney: cool.

Yeah. Um, well, her name's Kelsey and, um, but anyway, so, so I holding hands. So I think that if I'm going to critique it with the knowledge that you have given me. I'm not relaxed.

Adele: She is. Um, yeah, she, she appears more relaxed than you. Yeah. You seem slightly smothering to her. Yeah.

Sidney: And also it's a weird angle.

I took this picture. I feel like this is a very weird angle

Adele: too. Yeah. And, and again, your, your, uh, the crease of your, it could be a little bit more relaxed. Thank you. But otherwise it's, it, it. I believe you guys, like I believe that's a real couple, your hands are acting, you know, I, I, I sense and feel the love in that embrace.

Sidney: It's really easy to, to look like you love, uh, the person that she loves hand while holding it because I'm so used to holding it when I obviously love it there. How are my, how are my nails? I trimmed them. I cut them myself. They're

Adele: fine. They look fine. They probably just need a little moisturizer.

Moisturizer. I can't believe,

Sidney: you know, I can't, I truly, I feel like I have lines on my nails because I don't moisturize my nails. I don't moisturize at all. So I'm sorry. Look at

Adele: that. I keep it. I keep it handy.

Sidney: That's nine, everyone. Um, all right. Well, okay. So this one again, the, the art that's wow. You're so good at that.

The art direction, um, is needs some work, but in general. Not a bad hand

Adele: model. No, not at all. Um, I I'm impressed and I really like her little nail polish and, and, and

Sidney: color. Is it, would it make it better? So she has a, it looks like cuticle of her nail polish. So she's like, maybe just like reapply cause it's not perfect.

But does that add to the allure of like everyday home?

Adele: Yeah, I mean, I I didn't really notice that until you pointed it out. Maybe yeah, it's it's it's a few days old or something like that So she has a little growth but For something so kind of casual and real and you know, people are appreciate that more and more these days, you know Sometimes they don't want The perfectly done and the airbrushed and the, you know, to me, I more get a feeling from that shot than anything else.

Like, Oh, what,

Sidney: um, what, what would you say, uh, this is selling a handholding picture if it's selling anything? Love.

Adele: Um, wow. Well, there you go. Hey, yeah, no. So oftentimes you do want to evoke emotion and, and, and images. It could be, you know, a nail shot for her. Um, but you'd probably want to see a little more of her.

fingernails as well, not just a thumbnail. Um, It, I've held many, you know, male hands and like watch ads, you know, all kinds of stuff. So it depends on how it's accessorized. You know, you could both have bracelets on or, you know, cool jewelry and, and have that kind of a cool, um, pose happening.

Sidney: Is it mostly like micro movements?

Is it our static, our static images captured with those micro movements in your shoots? And then are the motion pictures. Uh, capture, like, is that also micro movement? So you're just constantly, like, kind of twisting and reshooting and stuff?

Adele: Yeah, I would say, yeah, exactly. For, for the, um, the still shots, it is often just, like, little, little movements.

Um, for the, you know, the, the live stuff and the tabletop, that's, um, generally an action. You know, like putting the bottle into the frame or, you know, taking it out or pressing a button. Uh, or, you know. Yeah.

Sidney: Um, all right. Well, those are my five pictures. I appreciate your critique of them.

Adele: That's a really good, um, first try, I would say.

Well,

Sidney: thank you. I appreciate that. I Again, I, I didn't know what I was doing.

Adele: I'm gonna encourage you to stick with hair, though, to be honest. I really think that's your strong point.

Sidney: What you said, there aren't that many jobs. So I would just like, what do I do? Do I take

Adele: a picture of my head? Right. On the hair.

Do I just take a

Sidney: picture of my head? And then. Uh, submit that and be like, Hey, listen, guys, I got hair. I want to keep

Adele: it. But, you know, they pigeonhole you a lot like Bill. I so became like the hand person that I remember being in a Pantene commercial at some point doing, you know, the hand insert. And they're like, God, you have great hair.

And I was like, Well, I do hair as well. And they're like, Oh, well, we've always just hired you for the hands. And I'm like, Oh, you for one next time. There

Sidney: you go. There you go. Give yourself a high five for that one. Thank you, everyone. That's actually the fifth. Wow. Look at that. Number 10. Um, well, thank you so much.

I think that was a fantastic game. Thank you for critiquing my hands and my holding of things. I will try to be as relaxed as possible and let the art director know that things need to change a little bit or we're not moving forward with it. And, um, I just want to say thank you for joining us. And I know that you have a documentary coming out that if you want to talk about that, um, what's that about?

That, um,

Adele: well, will be a lot about parts modeling, um, but it'll also deal with a lot of personal stuff. The, the, you know, we'll get into the commune and, and, um, uh, you know, I mean, we're currently in production, so it's, it's, you know, it's, it's happening. There's, you know, a lot to be done, but yeah, it's exciting.

There's, there's, um, it's a far more personal piece than, um, I've ever done. And, uh, and I met. The director on a shoot for Refinery29 in 2018, they did a little mini Parts modeling documentary on me and she and I just really hit it off and we're like we got to do a bigger You know a longer version of this but really, you know dig in So yeah, that sounds cool happening

Sidney: Well, well, I can't wait to see that You know when there's a release on that or is it gonna be like maybe in a year or something?

Yeah, I would

Adele: say yeah Closer to that. We got a lot of work ahead of us Um, but it is, you know, we've shot a lot and now it's just piecing a lot of it together. And, um, but yeah, it's, it's exciting. It's um, it's really cool.

Sidney: Thank you. Where can everyone follow you on the internet? Um, and I know you have a website to tell us a little bit about your skincare business that we didn't really get to talk about.

That's super important. Thank you for doing

Adele: it. Thank you. Yeah, it's, um, well, you can follow me at at Adele Udo, uh, U D D O Adele Udo dot com. Um, I did, uh, a few years ago, launch a single skew. People have, you know, with a multi use moisturizer, um, for face, hands and body. You can put it under your eyes for sensitive skin and everything.

I felt like I just wanted something that, um, was had more of a minimalistic, you know, quality over quantity message because there's so much out there that I've had so many marketing experts tell me, Oh, you need to do more products. I'm like, the world doesn't need more products. I could just, you know.

This is, yeah, this works and this is what I'm using.

Sidney: Oh, it's been fantastic. Thank you. Oh, there you go. Essential right there. Um, essential. There you go

Adele: by Adele. Oh, that's all the skin nutrition you need.

Sidney: Oh my gosh. What a beautiful marketing plug for the, um, that was so amazing. Um, thank you so much for joining us.

We need to moisturize our nails. That was huge for me. I hope that we get to talk again in the future.

Adele: Yes, me too. Absolutely. Any time. Happy to lend a hand.

Sidney: Haha! That's 11! Right before the end. We got 11 hand puns in there, everyone. Thank you for listening. And we'll talk soon. Bye,

Adele: everyone. Thank you. Bye.

Sidney: That's it, everyone. As I mentioned, I am no longer going to be a content creator. I'm only going to be a hair model and a hand model. And a, just a general handsome boy. Parts model. So thank you so much for coming on this journey with me Adele. Thank you so much for being on the podcast That's very fun.

And I I mean that that moisturized your nails part was just insane. So thank you so Much if you know anyone that would be a great guest or you want to Let us know how awesome the show is or how we can improve. Shoot us an email. Eli 30 at human dash content. com. And if you just want to hang out with us, I'm Sidney Raz all over the internet, or you can hang out with the amazing, beautiful members of the human content team at human content pods.

We'd really appreciate you leaving your review wherever you listen to podcasts. It really helps the show grow. If you subscribe and comment on your favorite podcasting app or on YouTube, we might give you a shout out. If you love my voice, but you yearn to see how beautiful my hair is, hang out with me on YouTube.

We upload the full episodes every Thursday on YouTube, like I said, at Sydney Raz. Patreon, tons of cool perks like bonus episodes. You get to hang out with me and the whole ELI30 crew. The members, we are all a member of the wonderful community, the rascals hang out with us in discord. Talk to me one on one.

Yes, it is me. You get early access to episodes, ad free, and so, so much more. Patreon. com slash Eli30 or go to Eli30. com. Thank you again so much. I'm your host, Sidney Raskine. Special thanks again to the hand model, Adele Udo, and our executive producers are Sydney Raskine, Aaron Rubin Corney, Rob Goldman, and Shaunti Brooks.

Our editor is Andrew Sims. Our engineer is Jason Portizzo. And our music is by Omer Benzvi. And our theme song is by Dr. Music. Explain Like I'm 30 is a human content production. And remember, hydration equals happiness. Explain Like

Adele: I'm 30.